Some designers find their way to interiors through architecture or art school. Sunita found hers through fabric.

Growing up in the Nalli family — a legacy rooted in the craft of handwoven Indian textiles — she learned early that the way a room feels is inseparable from what it is made of. The weight of a handwoven cotton. The quiet confidence of a natural dye. The way a well-chosen textile can anchor a space without announcing itself. That education was not formal. It was sensory — absorbed through touch, observation, and a deep respect for materials that carry the mark of the hand that made them.

That sensibility carried her — by way of a career as a chartered accountant, and then a self-taught immersion into the language of interiors — to found Sunita Yogesh Studio in 2019. Over seven years of practice, she has built a body of work that resists the impulse to over-explain. Her approach is one of restraint: allowing a space to find its own character rather than imposing one upon it. She is drawn to natural materials — stone, wicker, handwoven natural textiles, timber, concrete — not for their trendiness but for their honesty. Surfaces that breathe. Textures that invite touch.

The result is spaces that feel complete without feeling finished — light-filled rooms where something is always slightly unexpected, where the eye moves and the body settles. Where nothing announces itself, and everything belongs.

Sunita designs for clients who want their homes to hold a point of view — not merely to impress, but to endure.